Diary entries
December 4 1925
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the Schubert Impromptu could have been either op. 90, no. 4, or op. 142, no. 2. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 9 1925
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the Schubert Impromptu could have been either op. 90, no. 4, or op. 142, no. 2. Satina also indicates that Rachmaninoff’s Prelude in C sharp minor, op. 3, no. 2, was on the program for this concert. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 11 1925
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the Schubert Impromptu could have been either op. 90, no. 4, or op. 142, no. 2. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 14 1925
Rachmaninoff's role: Gramophone Recording
Notes: The Schubert Impromptu in A flat was no. 4 from D. 899. While frequent mistaking of the key of this work in programs, and Satina frequently expressed her frustration at identifying it, it is presumed that this work was the one played in concerts. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 20 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the keys for the works by Chopin were not given in the review of this concert, but that she has presumed them to be the same as other performances of the program. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 21 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the keys for the works by Chopin were not given in the review of this concert, but that she has presumed them to be the same as other performances of the program. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 23 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that according to a review Rachmaninoff played the Chopin Nocturne in D flat major, and that Rachmaninoff’s Prelude was in G major, op. 32, no. 5. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 24 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that Rachmaninoff’s Prelude was in C sharp minor, op. 3, no. 2. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 30 1927
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 3 1927
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 6 1927
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 7 1927
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 9 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina writes that the ‘Rachmaninoff Prelude was not the C sharp minor one’ at this concert. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 10 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina writes that the ‘Rachmaninoff Prelude was not the C sharp minor one’ at this concert. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 13 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the Liszt was not mentioned in the review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 14 1927
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 19 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina writes that the Rachmaninoff’s Prelude was in G major, op. 32, no. 5. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 21 1927
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 22 1927
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 23 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina writes that the Rachmaninoff’s Prelude was in G major, op. 32, no. 5. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 3 1927
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 4 1927
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 6 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina indicates that the Beethoven and Schumann works ‘replaced the Schubert-Liszt’, which appears to indicate that the Schubert-Tausig remained in the program. (In previous similar concerts where the Beethoven and Schumann were played, they replaced both the Schubert-Tausig and the Schubert-Liszt.) LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 9 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina indicates that Rachmaninoff also played one of his Preludes in this concert. No keys were given for the Etudes-Tableaux on the program, but they have been presumed to have been the same as for other locations where Rachmaninoff performed this program. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 10 1927
Rachmaninoff's role: Solo Pianist
Notes: Satina indicates that Rachmaninoff also played one of his Preludes in this concert. No keys were given for the Etudes-Tableaux on the program, but they have been presumed to have been the same as for other locations where Rachmaninoff performed this program. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.