Diary entries
December 31 1923
Rachmaninoff's role: Gramophone Recording
Notes: Recorded at Trinity Church.
January 3 1924
Rachmaninoff's role: Gramophone Recording
Notes: Recorded at Trinity Church.
January 14 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the interval where this program was performed was between the works by Chopin and Liszt. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 15 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the interval where this program was performed was between the works by Chopin and Liszt. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 16 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the interval where this program was performed was between the works by Chopin and Liszt. The ‘Waltz’ by Strauss-Tausig which Satina states ended this concert could have been either ‘Man lebt nur einmal’ or ‘Wahlstimmen’, both of which were in Rachmaninoff’s programs in previous years. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 24 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the interval where this program was performed was between the works by Chopin and Liszt. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 25 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the interval where this program was performed was between the works by Chopin and Liszt. Satina also indicates that the program at this concert included a waltz by Chopin in A flat major. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 28 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the interval where this program was performed was between the works by Chopin and Liszt. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 29 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the interval where this program was performed was between the works by Chopin and Liszt. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 31 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the Scriabin Etude was probably in D sharp minor, op. 8, no. 12. In various concerts in 1918 and 1919, Rachmaninoff played collections of preludes from Scriabin’s op. 11, and their more precise listing in some of those programs likely gives some indication as to which might have been played in this concert. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 4 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina indicates that the waltz by Strauss-Tausig could have been either ‘Man lebt nur einmal’ or ‘Wahlstimmen’, both of which were in Rachmaninoff’s programs in previous years. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 5 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the interval where this program was performed was between the works by Chopin and Liszt. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 6 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the interval where this program was performed was between the works by Chopin and Liszt. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 10 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina indicates that the waltz by Strauss-Tausig could have been either ‘Man lebt nur einmal’ or ‘Wahlstimmen’, both of which were in Rachmaninoff’s programs in previous years. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 12 1924
Rachmaninoff's role: Solo Pianist
Notes: It is possible that the Scriabin Etude was in D sharp minor, op. 8, no. 12, as Satina notes that for other concerts in late January and February her belief that this etude was played then. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 13 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina indicates that the waltz by Strauss-Tausig could have been either ‘Man lebt nur einmal’ or ‘Wahlstimmen’, both of which were in Rachmaninoff’s programs in previous years. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 15 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the interval where this program was performed was between the works by Chopin and Liszt. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 17 1924
Notes: No details, although the review from the Chicago Tribune indicates that the program was perhaps the same as in Milwaukee, WI, on February 15.
February 20 1924
Rachmaninoff's role: Solo Pianist
Notes: It might be presumed that the Prelude by Rachmaninoff was in C sharp minor, op. 3, no. 2. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 21 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina has written that the program received for this concert was incomplete. The waltz by Strauss-Tausig could have been either ‘Man lebt nur einmal’ or ‘Wahlstimmen’, both of which were in Rachmaninoff’s programs in previous years. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 23 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the Scriabin Etude was probably in D sharp minor, op. 8, no. 12. In various concerts in 1918 and 1919, Rachmaninoff played collections of preludes from Scriabin’s op. 11, and their more precise listing in some of those programs likely gives some indication as to which might have been played in this concert. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 10 1924
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that this concert was ‘by invitation’, and that the Liszt Hungarian Rhapsody included Rachmaninoff’s cadenza. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 2 1924
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 4 1924
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 6 1924
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 9 1924
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 11 1924
Rachmaninoff's role: Concerto Soloist
Notes: The exact order of the afternoon concert is not known. Satina and Apetian were similarly uncertain about the program, especially in regard to the concerto, however clarity has been provided by a review in The Times dated October 13. The conductor appears to have led a Proms concert later the same evening, featuring different repertoire and artists. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.