Diary entries
February 7 1920
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 13 1920
Rachmaninoff's role: Concerto Soloist
Notes: The attached reviews note that Rachmaninoff played his Prelude in C sharp minor, op. 3, no. 2, at the end. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 14 1920
Rachmaninoff's role: Concerto Soloist
Notes: The attached review indicates that, after asking the conductor to allow the orchestra to leave the stage, Tchaikovsky's Troika was played as an encore at the end. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 18 1920
Rachmaninoff's role: Solo Pianist
Notes: The attached reviews do not mention Rachmaninoff's Waltz, and it seems possible it was not played. Both indicate three encores were played at the end of the recital, however they are not named. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 21 1920
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 22 1920
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 23 1920
Rachmaninoff's role: Solo Pianist
Notes: The second attached review indicates that Rachmaninoff's Barcarolle, op. 10, no. 3, Paderewski's Minuet, and Tchaikovsky's Troika were given as encores at the end of the recital. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 24 1920
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 26 1920
Rachmaninoff's role: Concerto Soloist
Notes: The concert commenced at 8.30pm. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 27 1920
Rachmaninoff's role: Concerto Soloist
Notes: The concert commenced at 2.30pm. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 29 1920
Rachmaninoff's role: Solo Pianist
Notes: The second attached review indicates a change to the program, which the attached press clipping appears to indicate was in regard to his own works. As the first attached review indicates, the two preludes named in the press clipping appear to have been given as encores. A Chopin waltz is noted as an encore after the Chopin Sonata, the Prelude in C sharp minor, op. 3, no. 2, was given after the three Etudes-Tableaux, the Prelude in G sharp minor, op. 32, no. 12, was given after the Scriabin Etude, while an unnamed composition by Rachmaninoff and Paderewski's Minuet were given at the end of the recital. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 7 1920
Rachmaninoff's role: Concerto Soloist
Notes: Details for this concert have been confirmed by Francis Crociata. The reviews indicate that Rachmaninoff played Liszt’s Second Rhapsody as a solo encore, featuring his own cadenza, and other solo pieces. The complete program for the second half of the concert is presently unknown, although songs by Grechaninov, Thomas and Helen Brown are noted in the second attached review.
March 11 1920
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 17 1920
Rachmaninoff's role: Solo Pianist
Notes: The second attached review outlines the encores played, and also points toward the Chopin etudes played in other concerts at this time: Mendelssohn's Spinning Song followed the Rondo Capriccioso, Chopin's Etude in G flat major, op. 10, no. 5, and Etude in G flat major, op. 25, no. 9, followed the Chopin group, and at the end his own Barcarolle, op. 10, no. 3, Paderewski's Minuet, and the Polka de W.R. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 19 1920
Rachmaninoff's role: Solo Pianist
Notes: The first attached review notes encores as being a Chopin waltz (likely after the Chopin group), Paderewski's Minuet, Tchaikovsky's Troika, an apparent 'improvisation' on one of his own songs, the Prelude in C sharp minor, op. 3, no. 2, and Polichinelle, op. 3, no. 4. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 21 1920
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
April 7 1920
Rachmaninoff's role: Concerto Soloist and Chamber Musician
Notes: Satina indicated that this was a Rachmaninoff Festival Concert. Instead of The Bells, which was to have been conducted by Rachmaninoff, Damrosch conducted the Spring Cantata. The first attached review notes that Rachmaninoff had 'neurosis' of the arm, although both also indicate that Rachmaninoff felt unable to both conduct and play in the same concert. One of the songs appears to have been 'Spring Waters', op. 14, no. 11, while a further fourth song, which is noted as an encore, could have been op. 4, no. 4. Royal Dadmun is noted as a late replacement for Georges Baklanov. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
June 3 1920
Rachmaninoff's role: Concerto Soloist
Notes: Satina indicated that this was the 46th Meeting and Concert of the Litchfield County Choral Union, and that the orchestra comprised 75 players from New York City. She was unsure of the conductors, however the attached reviews provide clarity. Rachmaninoff's Prelude in C sharp minor, op. 3, no. 2, is noted as the encore. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
June 30 1920
Rachmaninoff's role: Solo Pianist
Notes: Satina was unable to find any details of this concert, but Apetian believed it was a 'mixed concert' in which Rachmaninoff played 5 works, the names of which she did not know. Michael Scott in his book (2008) cited the name of the hotel, further indicating that Enrico Caruso performed at the event, also indicating that it was a 'special benefit given for Victor artists for the National Association of Talking Machine Jobbers' (p. 170). These details are confirmed in the attached press clipping, while the third attached review gives the most detailed account of what was played. Debussy's Cakewalk and Rachmaninoff's Prelude in C sharp minor, op. 3, no. 2, appear to have been given as encores. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 11 1920
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 14 1920
Rachmaninoff's role: Solo Pianist
Notes: Satina noted that material she had sent about the concert appeared to be incomplete, mentioning only the Beethoven and the Mendelssohn, but in relation to works by Rachmaninoff mentioning two Etudes-Tableaux. This is perhaps the same press clipping that is attached. The attached reviews provide almost no detail on the works played. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 15 1920
Rachmaninoff's role: Solo Pianist
Notes: Satina pondered whether Grieg’s ‘On the Mountains’ was played in this recital, which is confirmed in the second attached review. It is not clear which works by Rachmaninoff were played, with Satina wondering if the Polichinelle replaced the Etudes-Tableaux, as in other venues. A seventh Mendelssohn work is noted as an encore (possibly the Spinning Song), while the Prelude in C sharp minor, op. 3, no. 2, was given at the end. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.