Solo Pianist - Diary entries
Many of the initial performance details listed here were compiled from Zarui Apetian’s important research, published in Literaturnoye Nasledie [Collected Literature] (Sovietskii Kompozitor: Moscow, 1980, vol. 3, pp. 439-467). These details have been subsequently cross-referenced and checked with the many itineraries and other corroborating materials, especially substantial research that identified precise program details, collected by Rachmaninoff’s sister-in-law, Sophia Satina, housed in the Rachmaninoff Archive of the Library of Congress, Washington, D.C (LoC, Sergei Rachmaninoff Archive, ML31.R22, Papers of Sophie Satin, boxes 82-89). Further information has been gathered from Barrie Martyn’s book Rachmaninoff: Composer, Pianist, Conductor (Scolar Press: London, 1990), A Catalogue of the Compositions of S. Rachmaninoff by Robert Threlfall and Geoffrey Norris (Scolar Press: London, 1982), and research undertaken at the Glinka Museum of Musical Culture, Moscow.
March 15 1938
Rachmaninoff's role: Solo Pianist
Notes: The transcription of Kreisler's Liebesleid and the Prelude in C sharp minor, op. 3, no. 2, are noted as encores in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 17 1938
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 19 1938
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 21 1938
Rachmaninoff's role: Solo Pianist
Notes: The Prelude in C sharp minor, op. 3, no. 2, is noted among the encores in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 22 1938
Rachmaninoff's role: Solo Pianist
Notes: Satina notes that the Chopin Nocturne listed in the program was in D flat major, op. 27, no. 2, but was replaced by the Nocturne in F major. The attached review notes Tchaikovsky's Troika as among the encores. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 26 1938
Rachmaninoff's role: Solo Pianist
Notes: The attached review does not mention the Paganin-Liszt Etude, although it appears in the attached press notice. The D flat major Nocturne was, according to the review, substituted for the advertised Nocturne in F major, op. 15, no. 1. The review also indicates the Prelude in C sharp minor, op. 3, no. 2, a Chopin Waltz in A flat, and a Liszt transcription were given as encores. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 28 1938
Rachmaninoff's role: Solo Pianist
Notes: It is likely that the Chopin Mazurka was op. 63, no. 3, given that Rachmaninoff played it in other concerts this season. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 24 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was constantly listed as A flat minor, it is likely that the work was op. 90, no. 4. The Prelude in C sharp minor, op. 3, no. 2, a Chopin mazurka, and the transcription of Mussorgsky's Hopak are noted as encores in the attached reviews. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 28 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 30 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. An etude by Chopin is noted as the encore in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 1 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. The Prelude in C sharp minor, op. 3, no. 2, is noted as the encore in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 9 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. Satina notes that this was a concert for the benefit of the ‘Boston School of Occupational Therapy’. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 10 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 12 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 14 1938
Rachmaninoff's role: Solo Pianist
Notes: The attached press clipping appears to indicate that a different Beethoven sonata would be played, yet given the other error it is perhaps unreliable. No review has been found. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 15 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. A Chopin mazurka and the Prelude in C sharp minor, op. 3, no. 2, are noted as encores in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 18 1938
Rachmaninoff's role: Solo Pianist
Notes: Satina indicates that this concert began at 8.15pm. It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. The Spinning Song from Wagner's 'The Flying Dutchman' and the Prelude in C sharp minor, op. 3, no. 2, are noted as encores in the attached reviews. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 22 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 23 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. Tchaikovsky's Troika, the transcription of Rimsky-Korsakov's Bumble Bee, and the Prelude in C sharp minor, op. 3, no. 2, are noted as encores in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 26 1938
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 28 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. The Prelude in C sharp minor, op. 3, no. 2, is noted as the sole encore in the second attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 29 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. The Prelude in C sharp minor, op. 3, no. 2, is noted as one of a number of encores in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 1 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. Satina noted that the Rameau and Wagner-Brassin were not mentioned in the review she had been sent, yet the latter is noted in the one attached. The Prelude in C sharp minor, op. 3, no. 2, is noted as the third encore. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 5 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. The Prelude in C sharp minor, op. 3, no, 2, is noted as the encore in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 11 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 13 1938
Rachmaninoff's role: Solo Pianist
Notes: Satina indicates that this concert began at 8.30pm. It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. Tchaikovsky's Troika, the transcription of Mussorgsky's Hopak, and the Prelude in C sharp minor, op. 3, no. 2, are noted as encores in the attached reviews. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 15 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. While the key of the Schubert Impromptu was consistently listed as A flat minor, Martyn (p. 434) confirms it was D. 899, no. 4. Satina has placed a question mark next to this recital, but it is not clear why. The attached review confirms the program Satina identified. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 17 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. It is possible that Liszt's Etude in D flat major was also played at this concert. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 19 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. Five encores are noted in the attached reviews, these being: the transcription of Kreisler's Liebesleid, Liszt's Liebestraum no. 3, the Prelude in C sharp minor, op. 3, no. 2, and the transcriptions of Rimsky-Korsakov's Bumble Bee and Mussorgsky's Hopak. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 21 1938
Rachmaninoff's role: Solo Pianist
Notes: It is not clear which work by Rameau is indicated, but it could be the Gavotte and Variations (Gavotte et six doubles) from the Suite in A minor, RCT 5. The transcription of Rimsky-Korsakov's Bumble Bee and a Chopin waltz are noted as encores in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.