Concerto Soloist - Diary entries
Many of the performance details listed here have been compiled from Zarui Apetian’s important research, published in Literaturnoye Nasledie [Collected Literature] (Sovietskii Kompozitor: Moscow, 1980, vol. 3, pp. 439-467). These details have been subsequently cross-referenced and checked with the many itineraries and other corroborating materials collected by Rachmaninoff’s sister-in-law, Sophia Satina, housed in the Rachmaninoff Archive of the Library of Congress, Washington, D.C (LoC, Sergei Rachmaninoff Archive, ML31.R22, Papers of Sophie Satin, boxes 82-89). Further information has been gathered from Barrie Martyn’s book Rachmaninoff: Composer, Pianist, Conductor (Scolar Press: London, 1990), and A Catalogue of the Compositions of S. Rachmaninoff by Robert Threlfall and Geoffrey Norris (Scolar Press: London, 1982).
February 11 1921
Rachmaninoff's role: Concerto Soloist
Notes: Satina notes that this was part of a series called ‘The Historic Cycle’, with this concert dedicated to works by Russian Composers. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
February 24 1921
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 13 1921
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 15 1921
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
April 1 1921
Rachmaninoff's role: Concerto Soloist
Notes: The exact order of the program is unknown, as too is the specific detail of Mozart's Symphony in G minor. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
April 2 1921
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 15 1921
Rachmaninoff's role: Concerto Soloist
Notes: The presence of Richard Strauss in the audience is noted in the review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 9 1922
Rachmaninoff's role: Concerto Soloist
Notes: The Fantasia is possibly that on the Theme by Thomas Tallis. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 10 1922
Rachmaninoff's role: Concerto Soloist
Notes: The Fantasia is possibly that on the Theme by Thomas Tallis. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
April 2 1922
Rachmaninoff's role: Concerto Soloist
Notes: Satina notes that the proceeds from this concert, which commenced at 8.15pm, were to be sent to ‘music artists and men of letters in Russia through ARA’. Mrs Rachmaninoff was the Chairman, Mrs F Steinway was the Treasurer, and Miss D Rybner was the Secretary. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 30 1922
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 1 1922
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 1 1923
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 2 1923
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 16 1923
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 18 1923
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 29 1923
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 31 1923
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 11 1924
Rachmaninoff's role: Concerto Soloist
Notes: The exact order of the afternoon concert is not known. Satina and Apetian were similarly uncertain about the program, especially in regard to the concerto, however clarity has been provided by a review in The Times dated October 13. The conductor appears to have led a Proms concert later the same evening, featuring different repertoire and artists. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 18 1924
Rachmaninoff's role: Concerto Soloist
Notes: Satina indicates that the program order is not known, and that a work by Chabrier was included. She also indicates that the Preludes in G minor and B flat major, op. 23, were played as encores. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
April 2 1925
Rachmaninoff's role: Concerto Soloist
Notes: Satina notes that this was an afternoon concert, and that it was the first performance of the work by Aubert in New York. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
April 3 1925
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 18 1927
Rachmaninoff's role: Concerto Soloist
Notes: Satina notes that this was the first performance of op. 40 and op. 41. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 19 1927
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 22 1927
Rachmaninoff's role: Concerto Soloist
Notes: Satina indicates that, in New York, Kurt Schindler trained the contraltos and basses of the choir. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 29 1927
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 30 1927
Rachmaninoff's role: Concerto Soloist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
April 4 1927
Rachmaninoff's role: Concerto Soloist
Notes: Satina indicates that in this concert the chorus was from the Mendelssohn Club, and that Bruce A Carrey was their conductor. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.