Moscow, Russia
Assembly of the Nobility, Pillar Hall
'Joan's Aria', from the The Maid of Orleans
Tchaikovsky
Petrovna-Zvantseva and Rachmaninoff
Variations on a Theme by Chopin, op. 22
Rachmaninoff
Rachmaninoff
'Iolanta's Arioso', from Iolanta
Tchaikovsky
‘Look in Thy Garden’, op. 41, no. 4
‘The Nymph’, op. 56, no. 1
Rimsky-Korsakov
Zabela-Vrubel and Rachmaninoff
‘Twilight’, op. 21, no. 3
‘Lilacs’, op. 21, no. 5
Rachmaninoff
‘Lullaby’, from Mazeppa
Tchaikovsky
Petrovna-Zvantseva and Rachmaninoff
Andante from the Sonata for piano and cello, op. 19
Rachmaninoff
Andante cantabile from String Quartet in D major, op. 11
Tchaikovsky
Brandukov and Rachmaninoff
Prelude in F sharp minor, op. 23, no. 1
Prelude in B flat major, op. 23, no. 2
Prelude in G minor, op. 23, no. 5
Rachmaninoff
Rachmaninoff
‘About the Silence of the Night’, op. 28, no. 1
Ippolitov-Ivanov
‘Oh, Do Not Grieve’, op. 14, no. 8
Rachmaninoff
‘Night’, op. 17, no. 4
Arensky
‘Hopak’
Mussorgsky
Petrovna-Zvantseva and Rachmaninoff
Sergei Rachmaninoff, piano. Vera Petrovna-Zvantseva, soprano. Nadezhda Zabela-Vrubel, soprano. Anatoly Brandukov, cello.
Rachmaninoff's role
Solo Pianist and Chamber Musician
Notes
Satina notes that this was a concert held under the auspices of the Ladies Committee for Prisoner Welfare. Satina cites Apetian, p. 221-222, as her reference. Threlfall and Norris note that this was the first performance of Rachmaninoff's op. 22. Keldysh (p. 205) indicates that N.I. Zabela-Vrubel sang some of Rachmaninoff's songs, along with Petrovna, which is supported by Martyn (p. 432), although the latter does not list the performance of Rachmaninoff's songs. Keldysh quotes from a review indicating that the Prelude in D major was played rather than the Prelude in B flat major. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.