March 17 1892 (Julian calendar)

Moscow, Russia
Conservatory, Small Hall
Overture to 'Iphigénie en Aulide'
Gluck
Safonov, conductor
Concerto for cello
Saint-Saëns
M. Altschuler
Aria from 'Joseph'
Méhul
A. Serebriakov
Concerto for piano no. 2 in G minor, first and second movements
Saint-Saëns
A. Ermolaeva
Concerto for violin in F sharp minor, second and third movements
Vieuxtemps
N. Avierno
Concerto for piano no. 1 in B flat minor, first movement
Tchaikovsky
L. Maximov
Intermission
Concerto for piano in D minor, Adagio and Scherzo
Litolff
E. Joon
Strophes from 'Nero'
A. Rubinstein
M. Chuprynnikov
Concerto in F sharp minor, first movement
Rachmaninoff
S. Rachmaninoff
Concerto for violin in E minor
Mendelssohn
E. Chizhevsky
Aria from 'Aida'
Verdi
B. Abramovich
Concerto for piano in E flat major
Liszt
A. Scriabin

Student Orchestra. Vasily Safonov, conductor. Sergei Rachmaninoff, Leonid Maximov, Alexander Scriabin, Modest Altschuler, Avierno, Ermolaeva, Serebriakov, and other soloists.  

Rachmaninoff's role
Concerto Soloist and Chamber Musician
Notes
Satina noted that this was a concert by students of the Conservatory, with ‘proceeds given to the needy students’. She also indicated that because of the lack of some instruments in the orchestra, Rachmaninoff accompanied Avierno in the Vieuxtemps concerto. Precise details of the works were not known by Satina, although Goldenweiser in his reminiscence of the composer wrote that only the first movement of Rachmaninoff's concerto was performed, as was also confirmed by Keldysh (p. 78) and Val'kova (vol. 1, p. 108). A transcript of the complete program is included in Ya. Ravicher's 1959 biography of Safonov (p. 268-9), which provides clarity regarding all works performed. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.