January 31 1894 (Julian calendar)

Moscow, Russia
Assembly of the Nobility, Small Hall
Trio élégiaque in D minor, op. 9
Rachmaninoff
Conus, Brandukov, Rachmaninoff
Fantaisie-tableaux (Suite no. 1), op. 5
Rachmaninoff
Rachmaninoff, Pabst
‘How long my friend, op. 4, no. 6
'The Soldier’s wife’ (‘I Have Grown Fond of Sorrow), op. 8, no. 4
Rachmaninoff
Lavrovskaya, Rachmaninoff
Prelude in F major, op. 2, no. 1
Serenade, op. 3, no. 5, (arr. Brandukov)
Rachmaninoff
Brandukov, Rachmaninoff
Elegy, op. 3, no. 1
Prelude in C sharp minor, op. 3, no. 2
Melody, op. 3, no. 3
Rachmaninoff
Rachmaninoff
Humoresque, op. 10, no. 5
Romance, op. 10, no. 6
Mazurka, op. 10, no. 7
Rachmaninoff
Rachmaninoff

Sergei Rachmaninoff and Pavel Pabst, pianos. Julius Conus, violin. Anatoly Brandukov, cello. Yelizaveta Lavrovskaya, mezzo soprano. 

Rachmaninoff's role
Chamber Musician and Solo Pianist
Notes
Satina indicated that this was the first performance of Rachmaninoff’s op. 9, and the first performance of pieces from op. 10. Regarding Rachmaninoff’s piano works, Satina noted their details, citing Apetian (p. 107), which is confirmed by Val'kova (vol. 1, p. 149). Val'kova notes the reverse order of Rachmaninoff's songs, which is adopted here, also indicating that a concert poster advertised two different songs, and the performance of Rachmaninoff's op. 6 works for violin and piano (to have been performed with Conus) rather than the works for cello and piano. Val'kova further indicates that a review of the concert confirmed both songs. The event appears to be the first all-Rachmaninoff concert. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.