Vienna, Austria
Großer Musikvereinsaal
Prelude on ‘Weinen, Klagen, Sorgen, Zagen’
Bach-Liszt
Italian Concerto
Bach
Fantasy in F minor, op. 49
Nocturne in F major, op. 15, no. 1
Ballade no. 3 in A flat major, op. 47
Scherzo no. 2 in B flat minor, op. 31
Mazurka in C sharp minor, p. 63, no. 3
Chopin
Intermission
Suite Bergamasque
Debussy
Prelude in G major, op. 32, no. 5
Oriental Sketch
Rachmaninoff
Waldesrauschen
Gnomenreigen
Liszt
Rachmaninoff's role
Solo Pianist
Notes
Satina noted that she copied the keys and opuses of these works from the same program that Rachmaninoff played in Newcastle a few weeks later, although the attached reviews confirm the main works. In the attached review from Telegraf on March 1, an announcement in the bottom righthand corner details the planned performance of Rachmaninoff's The Bells, op. 35, and Symphony no. 3, op. 44, that was planned for April 10, with the composer conducting. Due to quickly evolving historical events and the subsequent unrest, all concerts in Vienna at the time were cancelled, as noted in Bertensson and Leyda (p. 339). In a letter to Satina on March 15, written in London, however, Rachmaninoff indicated that he had sent a letter the previous day refusing to participate in the concert in Vienna (Literaturnoye nasledie, vol. 3, p. 122). LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.