Kharkiv, Ukraine
Gorodsky Dom Hall
Impromptu no. 1 in A flat major, op. 29
Waltz in D flat major, op. 64, no. 1
Berceuse, op. 57
Waltz in A flat major, op. 42
Polonaise
Chopin
Rachmaninoff
Aria, from Prince Igor
Borodin
Slonov, Rachmaninoff
Des Abends, op. 12, no. 1
Aufschwung, op. 12, no. 2
Schumann
Hungarian Rhapsody no. 12 in C sharp minor
Liszt
Rachmaninoff
‘I Bless You, Woods’, op. 47, no. 5
Tchaikovsky
‘Do Not Ask’, op. 6, no. 2
Arensky
Slonov, Rachmaninoff
Intermission
‘Jewish song’
Rubinstein
‘O Leave Me’, op. 26, no. 2
Davidov
Slonov, Rachmaninoff
Morceaux de fantaisie, op. 3
Rachmaninoff
Rachmaninoff
Aria, from The Marriage of Figaro
Mozart
Slonov, Rachmaninoff
Valse-impromptu, S. 213
Liszt
Barcarolle no. 2 in A minor, op. 45
Rubinstein
Concert Paraphrase on Eugene Onegin, op. 81
Tchaikovsky-Pabst
Rachmaninoff
Sergei Rachmaninoff, piano. Mikhail Slonov, baritone.
Rachmaninoff's role
Solo Pianist and Chamber Musician
Notes
Satina references a photo of the program in Apetian, p. 89. The following short paragraph is included in Satina’s notes: “В письме к М.А. Слонову от 14 декабря 1892г. Рахманинов посылает ему программу концерта в Харькове, 28 декабря 1892г. В письме перечислены вещи, которые будут испольняться Рахманиновым. Не зная, повидимому, что будет петь Слонов, Рахманинов под номером 2 пишет в шутку: "Мишка Слонов доказывает земли вращение". Под номером 5: "Мишка Слонов доказывает всю несостоятельность доводов Деруледа в Панамской пертурбации." [“In a letter to M.A. Slonov from 14 December 1892 Rachmaninoff sends him the programme for the concert in Kharkiv, 28 December 1892. The letter lists all the works to be performed by Rachmaninoff. Not knowing, apparently, what Slonov was going to sing, Rachmaninoff writes under piece number 2 as a joke: "Mishka Slonov demonstrates the Earth's rotation". Under piece number 5: "Mishka Slonov proves all the inconsistencies in Deroulède's arguments relating to the Panama perturbation."] Threlfall and Norris identified this performance, along with details of the venue. Details regarding key and opus number for certain works are according to Martyn, although they were not known to Satina. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.